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冰刀剧情简介

冰刀「其它HD中字」是由翁贝托·伦齐导演、卡罗尔·贝克艾伦·斯科特主演的其它悬疑犯罪 电影。该影片上映于1972年剧情如下:

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.

Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.

One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

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  • 靈魂碎
    @靈魂碎 0 有用

    20210127周三22:10有一度怀疑是女主杀的该不会又是什么精神裂开吧,后来我又改变了质疑,没想到还是逃不开铅黄结局的魔咒注定又是个女杀手!

  • 海纳百川
    @海纳百川 0 有用

    为了悬疑而悬疑

  • 怒海新生
    @怒海新生 0 有用

    早期铅黄 中规中规

  • 小哆啦
    @小哆啦 0 有用

    早起一部giallo 略无聊啊

  • stknight
    @stknight 0 有用

    各种障眼法烟幕弹

  • 兩隻左腳
    @兩隻左腳 0 有用

    难得在这类电影中看到比较细腻的表演。

  • silverchaw
    @silverchaw 0 有用

    说好的香艳镜头呢,揭露真相曲折反复,被导演牵着鼻子

  • 文森
    @文森 0 有用

    【2.5】

  • 豆友12315
    @豆友12315 0 有用

    酱油小圆子翻译作品第24号。卡罗尔·贝克参演的第四部也是最后一部伦齐电影。有佳句无佳章,不如看一集《今日说法·撒贝宁时间》

  • mlyywd
    @mlyywd 0 有用

    太精彩了,悬疑拉满。

  • Caneloni
    @Caneloni 0 有用

    所以邪教线是个彻底的烟雾弹,emmmm。这部有点40年代B级片的感觉。

  • 安乐椅神探
    @安乐椅神探 0 有用

    各种红鲱鱼,但是诱导效果确实不错,片尾的圈套有点站不稳脚,太没来由了,完全没必要啊

  • POSER
    @POSER 0 有用

    不恐怖 节奏快 开始猜管家 后来猜叔叔 医生 也猜想了结尾这种可能(正如推理小说中的诡叙) 问题是细想xie教这条线 更多地是误导观众 放在真凶上有点生硬 哑巴女主 童年创伤的设定不错 可以理解为以一种极端的方式 穿越幻象 穿越了最终幻象后 声音得以恢复

  • 长袜子
    @长袜子 0 有用

    比不上女主和导演合作的另几部

  • 雅各布小姐
    @雅各布小姐 1 有用

    5.5/10.第一部翁贝托·伦齐。结局蛮好猜,《罗杰疑案》的处理手法,整体而言是一出合格的障眼法,但是主要人物的显著特征则显然没被利用好,无法发出声音的设定只在后面呼救的时候被显露出来,其余在大多数的时间里只是在给人物交流时设置出些许的阻碍。

  • 梦游者
    @梦游者 0 有用

    结尾的逻辑也太说不通了吧?一点铺垫都没有,直接就是女主是杀人犯,那她自己怕得要死怎么解释?

  • tONy顺仔
    @tONy顺仔 0 有用

    7.0(4⃣️),清淡铅黄,摒弃对色彩和灯光的运用,故事本身悬疑趣味并未很好地呈现出来,节奏有些失控,且诸多悬念没有被充分利用,使得剧本缺失些许自圆其说的力度/ 不过很高兴看到Carroll Baker和Ida Galli两位美女在《黛博拉的娇躯》之后再度合作

  • 冰咖啡
    @冰咖啡 0 有用

    遭受心理创伤的人在嫉妒心驱使下制造的连环命案,严格意义上讲不算精分

  • Sylve
    @Sylve 0 有用

    这逻辑是不是不太对… 而且加泰罗尼亚什么时候起过这么大的雾啊?

  • 451½°F™
    @451½°F™ 0 有用

    用聋哑人作为案件的目击人和受害人(?)是一种比较讨好的技巧,而最后反转成凶手也是一种极端的编剧手法,合理性与否似乎并不是铅黄电影需要考虑的。

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