盲目的丈夫们「英语HD中字」是由埃里克·冯·施特罗海姆导演、萨姆·德·格拉斯、Francelia Billington、埃里克·冯·施特罗海姆、Fay Holderness、Richard Cumming主演的美国剧情、爱情 电影。该影片上映于1919年剧情如下:
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
Sarah Mitchell,Travis Delgado,Caitlin Aase,Melissa DuPrey,Adriana Leonard,Angela Morris,Randy Bernales,Mike Schminke,Kelly Owens,Carlo Aparo
汉克·阿扎利亚
斯特兰·斯卡斯加德,阿卡塞尔·亨涅,比约恩·桑德奎斯特,比约恩·弗洛伯格
阿努帕特·路恩索赛,帕庞科恩·勒查林波特,布克·奥利维斯,纳帕·戈马拉昆
刘裕龙,彭士勇,王雅娟
法比齐奥·费拉卡尼,马特奥·皮蒂鲁蒂,Dania Marino,多拉·贝克尔,娜塔丽·拉布蒂·戈麦斯,克劳迪奥·比加利,罗贝托·埃利茨卡,Robert Steiner,Luca Ghillino,Simone Ciampi,Biagio Barone,Giuseppe Lo Piccolo,Federico Tocci,杰西卡·皮科罗·瓦莱拉尼,Giuseppe Spata,Giulio Pampiglione
内详
瓦莱丽·伯提内莉,简·丽芙丝,温蒂·马力克,贝蒂·怀特
大卫·杜楚尼,吉莲·安德森,米彻·佩勒吉,劳伦·艾波罗丝,罗比·阿梅尔,威廉·B·戴维斯,安娜贝丝·吉什,卡琳·考诺娃,芭芭拉·赫希,克里斯·欧文斯,安贾莉·杰,A·C·彼得森
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